Israeli Whistleblowers Detail Gaza Targeting in Venice Film
Israeli Whistleblowers Detail Gaza Targeting in Venice Film

The News
A documentary built on interviews with 24 Israeli intelligence officers and soldiers premiered Thursday at the Venice Film Festival, alleging that mass civilian deaths were routinely built into Israel's targeting decisions in Gaza.
The film, "NAZA," is directed by Yuval Abraham and Rachel Szor, two of the four co-directors of "No Other Land," which won the 2025 Academy Award for best documentary. It is produced by The Guardian and James Wilson, and executive produced by Jonathan Glazer.
According to Reuters, the film challenges official accounts of the war. The Israeli military has challenged some of the underlying reporting the film is built on, according to a Reuters account published by The Times of Israel.
What the Film Alleges
The documentary describes AI tools, phone surveillance and a crude points-based system used by the Israeli military to select targets in Gaza — Hamas-linked or otherwise — and then strike them at home, regardless of whether children and other family members were likely to die with them.
It also alleges Israel systematically destroyed homes to create a wasteland that would stop Palestinians from returning, and deliberately killed figures from civil society including journalists and medical staff.
The title comes from the Israeli military's Hebrew acronym for each individual who could be killed when a projected death toll is tallied up before a strike.
Timeline
Hamas kills 1,200 people in southern Israel, triggering the war.
Israel launches its ground campaign in Gaza. Deadline, reporting on the premiere, said the campaign has since killed more than 73,000 people, injured close to 175,000 and destroyed 90% of homes.
Abraham's investigations into Israeli targeting systems, AI and mass surveillance are published by The Guardian and the outlets +972 Magazine and Local Call. Those findings became the basis of the film.
"No Other Land," co-directed by Abraham and Szor with Palestinian filmmakers Basel Adra and Hamdan Ballal, wins the best documentary Oscar.
Venice adds "NAZA" as the 21st and final title in its main competition, and the only documentary in the lineup.
The film has its world premiere in Venice.
Reactions
"Our film is showing that the basic targeting unit of the Israeli targeting systems is a family home in Gaza," Abraham told Deadline before the premiere. "Every building in Gaza, every home in Gaza has a number."
Abraham said the strikes were not driven by fire coming from those homes. "Houses are not bombed because Hamas are firing rockets from them, which is what we've consistently heard from intelligence officers," he said. "The houses are bombed because it's easier to bomb people and to find them when they go home to sleep at night."
He also accused Israel's mainstream broadcasters of looking away. "Mainstream Israeli media is totally uninterested in asking these questions, in asking soldiers about the actions that they've done, which have contributed to the mass killing of Palestinian civilians," he told Deadline, saying that in his view outlets such as Haaretz and +972 Magazine are the exception.
Szor, who is also the film's cinematographer, described the split with her co-director as one of temperament, not process: "As directors, we just talk about everything, what exactly are we looking for; the questions that need to be asked… the structure, what story we will tell."
Abraham said several interviewees reached for Holocaust comparisons unprompted, including one soldier who said that after taking part in the killing of so many civilians he felt he understood something new about German society in the 1930s and 1940s.
What's Next
"NAZA" is in competition for the Golden Lion at the Venice festival, which runs through Sept. 12.
IndieWire reported the film will have its North American premiere at the New York Film Festival. mk2 Films is handling international sales.
More
The testimonies are anonymous. The interviews were shot at night on Tel Aviv rooftops with the subjects in silhouette, and their appearances and voices were altered. Abraham said the filmmakers went through "a very rigorous process with The Guardian's investigations desk" to protect the sources, and stressed the anonymized interviewees are real people, not actors reading transcripts.
Between interviews, the film cuts between footage of families digging victims out of collapsed buildings in Gaza and shots of Tel Aviv homes where residents go about their evenings roughly 40 miles to the north.
It is the second year running that a highly charged film about the war has competed for Venice's top prize. Last year "The Voice of Hind Rajab" took second place after a record 23-minute standing ovation.
Poll
Should the US press Israel for answers about its Gaza targeting systems?
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